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In a recent interview in The Listener, professional musician Genevieve Lacey revealed her devotion to the recorder as her preferred instrument of choice.
Her first opportunity came about with her family in the Highlands of Papua New Guinea where instruments were rare, but a recorder was found. Lacey then confirmed how over time she allowed the recorder to influence her playing of a wide range of music. On that note, the same comment might be applied to the output of a particular architect, perhaps modifying the client’s brief to suit his or her particular style, and choice of materials. However, many architects have contributed to the architectural heritage of Timaru, so any repetition from one particular studio is of little concern. St Mary’s of Timaru, was designed by W B Armson of Christchurch in 1880. The bishop of the greater Canterbury domain had been stationed on the West Coast, at a time when Armson had recently created a church for that region. His skill was admired by the bishop, so that when the time came to find an architect for Timaru, the bishop promoted Armson for the task. Armson seized the opportunity, modelling a building with its commanding tower, and a cloud-piercing spire — very attractive on paper but just too pretentious. The spire was reduced, well before construction. His foray in to ecclesiastical buildings was rare, but Armson provided a special piece of sculpture and a beautiful interior, on a prominent site in Timaru. The photo shows recent strengthening work under way. David McBride
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Timaru Civic Trust
The Timaru Civic Trust was formed around 1985. Activists came from both genders, and diverse backgrounds. Saving the town’s Landing Service Building from demolition was the first major project. Looking back – and forwards - the input of time and energy was well worthwhile. Some citizens ask about another project? One that comes to mind is the restoration of the town clock. Built in 1911, the council building was constructed in a classical style, designed by local architects Walter Panton & Son. One commentary suggests that the building was predominantly the work of Walter; but the clock tower came later in the hands of Victor Panton. The step in time shows the influence of the Art Deco movement in the flavour of the tower, yet the change in style is handled with skill. Given the perfect location for the clock, perhaps the Civic Trust could provide the energy, and assist in fundraising, to have a clock fully functional once again. Perhaps the Westminster chimes are oldfashioned to some, but those comforting sounds, especially after sunset, provide a companion in the darkness. The chimes could be heard from the waterfront to Otipua Rd; possibly beyond. Comforting bells in the darkness on a cold frosty night, at midnight or 2am. Should the project gain momentum there are plenty of slogans to capture the spirit: “Don’t stop the clock!” “Let’s be on time!” “It’s high time for new chimes!” “It’s time for improvement!” “How can we pass the time without a clock?” Perhaps the best: “Isn’t it time for a new clock?” The clock might be traditional, or electronic? Time will tell! Catastrophic events do become history.
The severe losses resulting from the Canterbury earthquakes of 2010-11 will pass into memory. But many of the building owners badly affected are justified in feeling angst. For many years, the populace was told that improvements in structural design would prevent such severe damage to recent buildings because they were constructed to higher design standards. This photo of George St in Timaru shows how urban texture is enhanced when younger buildings are mixed with older heritage fabric. More than a few structural engineers have pointed out that the older unreinforced masonry buildings in the Christchurch central business district performed better than expected, while many newer buildings suffered damage, much to the disappointment of engineers. Throughout the 20th century, national construction standards in New Zealand were improved after each significant earthquake. Seemingly, the revised structural design standards have not been completely adequate. David McBride of the Timaru Civic Trust Timaru Civic Trust
There are several threads to the life of the renowned poet Robert (Robbie) Burns. Born in 1759 and raised in western Scotland within a family of modest means, he showed a natural skill with words. As a young man Burns applied himself to farming but with limited success. A crofter’s life was difficult, leading to his move to Edinburgh, where he was able to develop his skills as a writer. From a humble background a poet may often see beyond the mediocrity of everyday life. Through his writing Burns invited appreciation of the world around us. His writing was fresh; at times pretty. He detested the division of rich and poor so evident at that time. While these qualities are admirable, it was through an unprecedented event that the influence of Burns grew in scale – this was the substantial migration of Scottish people to distant lands including Australasia. A leading New Zealand historian James Belich records that by the 1920s about one quarter of the New Zealand population had a direct link with Scotland. There are obvious signs of Scottish influence in Dunedin, including the prominent statue of Robert Burns in the Octagon. Within the Botanic Gardens of Timaru a similar tribute to Burns commands attention. The statue was gifted in 1913 before a large crowd by the prominent Timaru citizen James Craigie, of Scottish descent and a leader within the Robert Burns World Federation. The inscription on the plinth reads: “The largest soul of all the British lands”. David McBride Travelling around the older areas of Timaru you can still find some interesting old homes.
Our fashions and tastes were heavily influenced by English design and in some cities you can see the use of semi-detached dwellings. In England the use of Terrace Housing, rows of 3 or more dwellings with shared walls on either side was common. Terrace Housing was not popular in New Zealand. They were seen as undesirable as they symbolised the congestion and sometimes, squalor, of city living in England that many of our settlers had left behind. Here we had plenty of space available and the preference was for single houses built on their own quarter acre sections A semi-detached dwelling is a single family duplex dwelling house that shares one common wall with the next house. In New Zealand these houses started to appear from 1880 as land supplies tightened. The first semis were symmetrically designed and two-storey to maximise living space but still allow each family to have their own section. This is an example of an early version of a town house. This semi-detached house sits on Catherine Street which lies within the boundary of Government town which, along with Rhodes town, formed our earliest subdivisions. The dividing wall is clearly visible emerging up through the roofline. It was built around 1900 and can be described as Edwardian in style. The characteristics of this building were typical of the time in Timaru. You can see the box sash windows, solid red brick construction and rectangular plan. It features individual entrances on each side towards the rear. Its roof is not as steeply pitched as a Victorian house would be. It has relatively few embellishments and decorative features with only a few decorative panes around the door, simple block eve brackets. A feature is the gabled porch above each of the rectangular bay windows below. I imagine it would have been a very smart address to live at, towering above the surrounding cottages and enjoying views over the bustling busy settlement. The town green belt lay across the main road with views of the mountains in the distance. Looking over a thriving neighbourhood with horse and carts rolling by and our first motor vehicles appearing on the scene. A town house indeed. Karen Rolleston Just an aside really, not a building or local landmark mentioned in this article……just a friendly little reminder from the garden that the mood out there is lightening a bit.
I do love a bit of winter, the skeleton trees, the icy puddles, the rain on the roof but It’s been cold right? Lovely to be snuggled up safe and warm inside preferably with people you like or a good book to read, or all rugged up and walking the dogs…. perfect. Lots of snow on our horizons, the mountains surrounding us are looking fabulously smothered in the white stuff…. however that’s not the only type of ‘snow’ making an appearance. In many of our gardens, big and small, young and old, those hardy little late winter warriors, Snowdrops, are making their way out into the world. A reminder that winter doesn’t last forever, the sun will shine again and Spring in just around the corner. Early settlers imported them to decorate the land surrounding their homes, and they must have been freely available, as an article in the Otago Witness, August 1888, insists that "there is not a garden that should be without these delicate-looking flowers, either in town or country". Flowering in late winter, a sign spring was on its way must have given the colonists relief that they'd made it through another New Zealand winter. Snowdrops come under the family name Galanthus. They are a Spring bulb and very easy to grow. Plant your snowdrop bulbs under deciduous trees, they will receive sufficient sunlight, since they bloom and begin storing nutrients before the leaves come out on trees. Just leave them there and they will multiply and naturalise, making them an irresistible addition to the woodland garden. Obviously I am not the only Snowdrop enthusiast around Canterbury. I see the annual SNOWDROP SUNDAY will be held at Terrace Station on Sunday 12th August with visitors welcome between 11am and 3pm. Nice Idea for a Sunday drive. Terrace Station and its 15 hectares of woodland gardens can be found at Hororata. Follow signs from the Hororata roundabout – approx 5kms to site. This year the snowdrops are a couple of weeks ahead of schedule but you will still see plenty as well as winter aconites and banks of hellebores, not forgetting the magnificent trees in their winter splendour. If the day is fine, bring your picnic lunch. Adults - $5.00 per head to the Terrace Station Charitable Trust. Children – no charge Please note that dogs are not permitted. Karen Rolleston When I visited the Timaru Botanic Gardens last year to take photos of the Robbie Burns statue I also took some of the colourful dahlia border that was still blooming profusely well into autumn. As we are settling in for the long lockdown ahead I thought it might be interesting to find out a little of the history about these beautiful and reliable garden performers. They are such a cheerful summer/autumn addition to a home garden, blousy, bold and available in an amazing variety of colours as well as being easy peasy as to grow. Dahlias originated in the mountain regions of Mexico and Guatemala and they still thrive there today. Before the time of the Aztecs not much is known about them but it is recorded that the Aztecs used parts of the dahlia for food and medicine.
In the 1570’s King Phillip ll of Spain sent a botanist, Francisco Hernandez, to Mexico to study the natural resources of the country and he described plants that resembled dahlias at that time. However it wasn’t until 1789 that plant parts were sent from the Botanical Garden at Mexico to the Royal gardens of Madrid in Spain. From there culture and propagation began and 3 new plant forms were grown. The genus was named after a Swedish botanist, Andreas Dahl. Seed and plant parts from the dahlias were sent throughout Europe from the early 1800’s and hybridization work continued. Double forms and colour variations resulted and captured the imagination and passion of plant breeders throughout Europe. Continued propagation and development of the earlier crosses resulted in the first modern dahlia hybrids being created around 1929. These new hybrids were easy to grown and hybridize so they quickly became very popular in European and American home gardens. Throughout the 1800s and 1900s thousands of new forms were developed and all of these new dahlia forms were hybridized from at least two, possibly all three of the original Dahlia species sent from Mexico in 1789. The dahlia we know today has one of the largest variations of form, colour and size of any flower grown and every year there are new varieties being developed and released constantly. It remains the National Flower of Mexico where its beauty, as well as usefulness, was first discovered by the Aztec Indians so long ago. We have our very own local dahlia specialists, Alistair and Joan Davey. Alistair was 13 years old when his great uncle gave him his first dahlia and that gift sparked a lifelong passion for these remarkable flowers. Have a look through his website, www.daveygardens.com and while away an hour or so plotting where you can perhaps squeeze one into your garden after this long winter ends. Keep well and safe, Karen Rolleston Some recent photos on Wuhootimaru’s Face Book page featuring an old cottage on the outskirts of Pleasant point piqued my interest and I decided it needed following up.
James and Ellen Keane were immigrants from County Kerry in Ireland. They arrived in New Zealand on the 1st July 1861 after travelling aboard the “Chrysolite” which departed Gravesend, London in April of the same year. After landing in Lyttleton the Keanes spent 10 years living in Christchurch before they and their 5 children headed to their new home in South Canterbury. This hard working couple managed to get together enough money to buy a piece of farmland and build a home for themselves and their family to live in. The house they built is the substantial cob cottage that still stands on its original site to this day. This one is two storeyed with a large ground floor living room and an upper room or loft where the family all slept. The covered wagon or schooner they travelled south in stood on their property near the cottage well into the 1940’s. Cob cottages were well built and a favourite with our early settlers. Utilising the local soil and clay for the raw materials as well as labour and skills given by other community settlers it meant they were relatively cheap to construct. A feature is their excellent thermal protection that makes them suitable for extremes of climate. In terms of longevity, cob buildings have the potential to remain functional, with regular maintenance, for hundreds of years. This one has been well tended by past and present landowners, sited along Keanes Rd just off the Point highway; it is fenced apart from the surrounding farmland and well protected from stock. The cob has been restored, the tin roof is in good order and it has spouting which all help keep Keane’s Cottage in the great state it remains in today. Cob buildings were once a significant part of New Zealand's early history and census figures from 1845 recorded more than 40 per cent of building stock in the South Island was of earth construction. As times progressed and more building materials became available this percentage declined to the point where there are fewer than 200 earth dwellings in the South Island today. Karen Rolleston Last week’s column was about the Eleanor Howard Tripp Memorial Library that stands on a prominent corner of Woodbury’s main road. I received a copy of a newsletter that I thought was relevant in terms of the ongoing life of such treasured buildings within a community.
This Library was gifted to the community when it was completed in 1936 after Eleanor’s death. It is cared for, funded and staffed by local volunteers and there are many ongoing costs involved in terms of maintenance and insurances. Its existence relies on what can be raised from raffles and, perhaps, donations. As well as working to maintain the library these volunteers do an amazing job in also caring for the section, gardens and the War Memorial that stands in front of the library. Coming up this year, on Saturday the 4th of April, there will be a book fair and boot sale to be held at the Woodbury Hall to help with fundraising. It runs from 9am till 12 noon. This would be an enjoyable outing, as well as supporting a great cause it would be a chance for those interested to have a look around the Hall and Domain, St Thomas’s Church and the Memorial Library at the same time. The history room at the library is open on the first Sunday of each month between the hours of 11am to 2pm and would be an interesting place to while away a couple of hours. The building itself has a solar power unit installed to help reduce lighting costs. As I mentioned in last week’s column, during her lifetime Eleanor began a library for the staff who worked at her home at Orari Gorge Station. Owing to a misinterpretation on my behalf I need to correct a mistake I made in last weeks column, the books from Eleanor’s station library are all catalogued and listed as part of a private family library at her home station. Karen Rolleston Dotted about our rural communities are dozens of tiny libraries and there is a rather beautiful example of one of these charming buildings in the settlement of Woodbury.
This small wooden building was built by the residents of Woodbury in memory of Miss Eleanor Howard Tripp of Orari Gorge Station. It stands behind the war memorial positioned on a corner of the main road and is still in use today. There are two rooms on the site; one is a library room, the other a history room. Eleanor was a great reader and a believer in the value of education for all. She started a library for the staff in one of the out building at her home at Orari Gorge Station. This ran continuously for 100 years and the collection of books, which has been catalogued and listed with the Historic Places Trust, still exists in the Historic buildings that stand at the Station today. It is interesting to note that her sister, Katherine, known as Katie, started the Orari Gorge Station School around the same time. Eleanor was highly respected in the district and took a prominent but unobtrusive part in social welfare and charitable work. She was a long time committee member of St Saviour’s Orphanage and served in this role until the time of her death, after an illness of several months, at 69 years of age. She was also a Sunday School teacher and her pupils aided in the collection of the stones that went into the building of the St Thomas’s Church in Woodbury. This lovely church was built as a memorial to her parents, Charles George Tripp and Ellen Shephard Tripp of whom she was the third daughter. She was also a granddaughter of Bishop Harper. This beautiful memorial library sits quietly in its place, it tells a story of New Zealand’s past history and culture and is well worth a visit. Built out of respect and admiration for the work done by this gentle woman, it remains well cared for by local volunteers. Its hours of operation are listed on the notice board out front. Karen Rolleston |
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